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He's just keeping his wits occupied so he won't go nuts and start gibbering.
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When the movie's Ralston treats his quandary as a puzzle, you know even he probably doesn't think any of his contrivances will work. Compared to the clenched intensity we can imagine Penn bringing to every second of playing Aron Ralston-our Sean does have his Kirk Douglas side, you know?-Franco's intuition that Ralston's comic curiosity about his plight is a coping mechanism is a thing of beauty. But that's the impulse Franco always plays against, just as he'd always rather play against his looks. Since he spends most of 127 Hours alone on the screen in dire straits, you might think it's tour de force showcase time. The heartbreaker was how much more he could have done with the part if the script had only let him.
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Then he went gay again as Allen Ginsberg in Howl this fall, and although the movie was a botch, Franco's performance was ideally right. It was one thing for Sean Penn-an Oscar-certified big star whose insatiable mug is practically the dictionary illo next to "heterosexual"-to impersonate gay activist Harvey Milk, but quite another for Franco, whose persona both on-screen and off was nowhere near as established, to play the less robust part of Milk's lover. His supporting role in Milk the same year was brought off with such ease that the choice didn't even seem nervy, but it was. What made him sublimely funny in that movie was that he was the only performer who didn't seem to come equipped with his own laugh track. The difference is that Ledger probably wouldn't have been piqued by Pineapple Express, but Franco's instincts aren't as slapdash as they look. Once his three stints as Tobey Maguire's sidekick in the Spider-Man franchise gave him the latitude to mess around, he made his Heath Ledger move, opting for projects that piqued him as an actor-the wayward impulse that 127 Hours crowns-instead of more gravy. You don't get cast as James Dean otherwise, but while playing James Dean is usually a guarantee you'll never be James Dean, Franco managed to dodge that pitfall. Just like everybody else, though, we mistook him for a pretty face at first. Even case-hardened media cynics would rather hear a good story about him than a bad one. Even though his rep as an egghead-the English department's loss was the big screen's gain, and so on-mostly tells you the competition isn't exactly overcrowded, it takes enormous likability for an actor to advertise his intellectual curiosities without being accused of posing. From his connection to the Apatow gang to his nonchalance in tackling parts most agents would warn him off with a shotgun, his unplanned-looking career has done a better job of playing hopscotch with our collective mood than, say, Jake Gyllenhaal's overstrategized one.įranco's anticareerism is almost certainly balderdash masking some pretty high-octane artistic ambitions, but he fakes it awfully well. At 32, he doesn't quite qualify for membership in the post–9/11 generation, but that's the vibe his eclecticism gives off anyway. In a faintly mysterious way-that is, without too many noticeable squeaks and farts from the hype machine-Franco has turned out to be the stealth star of our time: the guy whose approach to acting is most in tune with postmillennial sensibilities, making whatever he does next interesting just because he's the one doing it. It s a powerful story of courage love and the will to live.My guess is it does, though. Will she get help to him in time? In this feature-length documentary Ralston and Tom Brokaw - himself a veteran mountain climber - return to the scene of the ordeal and walk step-by-step along Ralston s rough road to survival. Meanwhile back home in Denver his mother works frantically to locate her missing son. Those scenes display gripping details of his nightmare as it happens: Ralston speaks what may be his final words to family and friends and moves closer to his inevitable decision. But could he survive that? Throughout his ordeal Ralston keeps a diary with a home-video camera stowed in his backpack.
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There was only one way for Ralston to free himself and stay alive: cut off his trapped arm. A young hiker named Aron Ralston is trapped for six days 100 feet below ground in a narrow Utah canyon his armed crushed under an 800-pound boulder. Health-Medical Documentary hosted by Tom Brokaw,įrom Tom Brokaw and NBC News comes one of the most amazing survival stories of our time.